Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. for Trumpet and Piano. Kent Kennan – Alfred Publishing Co., Inc. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books.

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By continuing to use this website, you agree to their use. The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden Create a free website or blog at WordPress. This first statement begins in minor, goes through Phrygian, and ends in major Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden The first theme is played by the trumpet and is muted Dearden The secondary theme is lyrical, with no fanfares, and in minor Dearden This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden The development is the shortest section in the movement Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.

University of Maryland, The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden Even though the melody sounds like D minor, there is no F of any kind to confirm spnata it is major or minor. The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden You are commenting using your Twitter account. This melody has some occurrences of the main motive that begins the first movement: A four-measure transition that is based on the main motive of the entire piece follows Dearden The third theme is a chorale in G that begins in minor and ends in major Dearden University of North Texas, You can help Wikipedia by expanding it.


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This section is distinct from the others in this movement because it is the only section that is not muted Dearden Email required Address never made public.

The piano plays an ostinato under the light, lively trumpet melody Dearden He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden The rest of this movement is based largely around this main theme Dearden This entry was posted on Thursday, April 30th, at 3: The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden Views Read Edit View history.

You are commenting using your Facebook account. Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden The first theme is very rhythmic and separated Dearden This made the piece much easier to perform McNamara His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios.


He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden The American Trumpet Sonata in the s: The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden Retrieved from ” https: This movement also has a short closing theme Dearden A large portion of the movement is based on this theme Dearden Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara This page was last edited on 8 Novemberat At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy in Rome.

McNamara, Anne Kovarik

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