Escrito y Dirigido por/Written and Directed by Arístides Vargas La Razón Blindada será presentada sin intermedio y dura 80 minutos. La Razón Blindada runs. La Razón Blindada is a feast for eye, ear and intellect, though far from the brain of Argentine playwright Arístides Vargas, who also directs. Theatre Review: La Razón Blindada. La Razón Blindada, Teatro Malayerba- Arístides Vargas & Gerson Guerra © Alex. Back to Post. You must be logged in.

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Resources — Danny Hoch: One technique the prisoners used to salvage their sanity was to tell each other stories to escape into their own imaginations.

No matter how daft he appears, how many realms of fantasy he indulges in, some part of his Panza stays aware of the prison walls that surround him. Texts by the Artist — TEC: Presentations — Jesusa Rodriguez: Interviews — Mujeres Creando Comunidad: Revista impresa — Entrevista: Vafgas — Deborah Hunt: Interviews — Danny Hoch: No Thanks Sign Up.

Theatre Review: La Razón Blindada

Malayerba, the theatre group that was made and created along with other actors in Ecuador, is considered one of the biggest names in Aristises American theatre. A contagious combustible mix of paranoia and exuberance takes hold as they act to squeeze and savor every drop of life they can from the precious hour they have with each other.


Works — Danny Hoch: They may not be copied, downloaded, or reproduced. If you like this story, consider signing up for our email newsletters.

Get the most out of your experience with a personalized all-access pass to everything local on events, music, restaurants, news and more. This Week Meet an Artist Monday: The Grupo de Teatro Malayerba teatromalayerba.

Works — Carmelita Tropicana: Clic para cancelar respuesta. They have represented Ecuador in national and international theater festivals; they have also collaborated with theater groups within Ecuador and in other countries, and performed for both film and television, while engaging in community work in Quito.

La razón blindada Malayerba collection

The performances are consummate and the staging, as eloquent as the text, features a videographed landscape over which their sunken shadows pass, and Faure’s Elegie for Violoncello and Orchestra to underscore the pathos. Works — Mapa Teatro: Public Interventions — Jesusa Rodriguez: Interviews — Split Britches: Works — Pocha Nostra: Presentations Split Britches — Split Britches: Works — La Candelaria: Interviews — Catalinas Sur: Public Interventions — Teatro Oficina: Both plays were extensively represented in Latin America, whether by Malayerba or by other companies and other directors with a positive response.


Public Interventions — Liliana Felipe: Interviews — Richard Schechner: While its many tiers make the text hard to grasp in its entirety at one sitting or even two or threethe production, with striking theatricality, rises to the challenge.

Works — Susana Cook: Performance and Politics — Franklin Furnace: The characters live together in the play without ever seeing each other. Hemispheric Institute featured interviews Interview series: In working together, actors with various backgrounds and nationalities have shown that a multicultural blend is not only possible but also enriching, as differences lead to new identities, embodiments of dreams, memories, absences and pains that are at once local and universal.

Resources — Latina Theater Lab: En los dos casos, se sabe que se trata de aristidws dictadura argentina, porque nosotros dispusimos que se dijera en la puesta, pero las obras pueden verse sin ese referente.

Coincidentally, the two plays that Malayerba will present in London during the CASA festival refer to the period of time during the dictatorship in Argentina.

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